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She exudes contemporary elegance both inside and out.ĥ8.2m (191ft) in length, CARPE DIEM’s interior and exterior spaces are wonderfully flexible, and there’s a large selection of seating and lounging options. Sophisticated and sleek, this yacht was delivered in 2011 from Trinity. That the powerful play goes on, and you will contribute a verse.Effortlessly tasteful and stylish, CARPE DIEM is a catch. That you are here-that life exists, and identity The question, O me! so sad, recurring-What good amid these, O me, O life? Whitman calls the reader to the present moment, and demands something meaningful be attempted: In Gerard Manley Hopkins's poem ' Spring and Fall: To a young child,' the poet warns that 'as the heart grows older / It will come to such sights colder.' However, Walt Whitman's poem ' O Me! O Life!' represents a refusal to acquiesce to such interpretations of existence. The existential dilemma suggested by carpe diem includes a sense of helplessness and senselessness, sentiments which are often expressed in a poet's resignation to a life filled with inexplicable losses and hardships. Robert Frost briefly considers the notion of living in the present in a poem appropriately titled ' Carpe Diem.' He concludes, however, that 'The age-long theme is Age's' and ends the poem with his own sentiment, that one should seize tomorrow, not today: Many poets have responded to the sentiment, engaging in poetic dialogues and arguments over its meaning and usefulness. In a similar manner, many contemporary poems offer reminders about life's overlooked pleasures, such as those found in the warm summer evening of Tony Hoagland's poem ' Jet':Īs if remembering the bright unbroken planetĬarpe diem remains an enduring rhetorical device in poetry because it is a sentiment that possesses an elasticity of meaning, suggesting both possibility and futility. The poem ' The Layers' by Stanley Kunitz offers advice through the poet's first hand experience: Not all carpe diem poems instruct, however. In ' A Song On the End of the World,' the poet Czeslaw Milosz asserts that the world has not yet ended, though 'No one believes it is happening now,' while Rainer Maria Rilke's poem ' Archaic Torso of Apollo' famously ends with the directive 'You must change your life.' Emily Dickinson's poem ' I tie my Hat-I crease my Shawl (443)' boasts that the reward of life is to 'hold our Senses,' and the French poet Charles Baudelaire offers the advice to ' Be Drunk,' though not necessarily on alcohol: 'Wine, poetry or virtue, as you wish. Other approaches to carpe diem encourage the reader to transcend the mundane, recognize the power of each moment, however brief, and value possibility for as long as possibility exists. Since Horace, poets have regularly adapted the sentiment of carpe diem as a means to several ends, most notably for procuring the affections of a beloved by pointing out the fleeting nature of life, as in Andrew Marvell's ' To His Coy Mistress': At the close of 'De rosis nascentibus,' a poem attributed to both Ausonius and Virgil, the phrase 'collige, virgo, rosas' appears, meaning 'gather, girl, the roses.' The expression urges the young woman to enjoy life and the freedom of youth before it passes. Various permutations of the phrase appear in other ancient works of verse, including the expression 'Eat, drink, and be merry, for tomorrow we die,' which is derived from the Biblical book of Isaiah.

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The Latin phrase carpe diem originated in the 'Odes,' a long series of poems composed by the Roman poet Horace in 65 B.C.E., in which he writes:

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The rallying cry of their classroom is carpe diem, popularized as 'seize the day,' although more literally translated as 'pluck the day,' referring to the gathering of moments like flowers, suggesting the ephemeral quality of life, as in Robert Herrick's ' To the Virgins, to Make Much of Time,' which begs readers to live life to its full potential, singing of the fleeting nature of life itself: 'Believe it or not,' he tells his students, 'each and every one of us in this room is one day going to stop breathing, turn cold, and die.' 'We are food for worms, lads,' announces John Keating, the unorthodox English teacher played by Robin Williams in the 1989 film Dead Poets Society.

Carpe diem